Tethered Shooting Is Not Optional: How to Build It Into Your Commercial Workflow Before You Lose a Job Over It
The Moment I Stopped Trusting My Memory Card Alone I was on a product shoot in 2011 for a mid-sized apparel brand, about three hours in, when the art director leaned over and asked to see a specific angle we had captured forty minutes earlier. I handed her my camera. She squinted at the two-inch screen, tilted it toward the window, and said, “I think it’s good?” That phrase, “I think,” nearly cost me a rebooking.