In this Photoshop tutorial, I will teach you how to use overlays in Photoshop. We're going to build 4 Photoshop projects, starting with a very simple and easy composite using just...
In Part 3 of this Photoshop tutorial, I will teach you how to use overlays in Photoshop including neural filters and displacement maps.
This post has been adapted from...
There are several ways to create a black-and-white image. In this video, I’ll teach you my process for taking a RAW file that isn’t amazing and turning it into a dramatic black-and-white image.
This process works in Lightroom as well as in Photoshop’s Adobe Camera RAW.
In this tutorial, Kelvin Designs demonstrates how to use lens flares in Photoshop. He begins by showing how to use lens flares on a portrait to make the lighting more dramatic and interesting. He then demonstrates how to use lens flares on an urban landscape to create a more dramatic look. He shows several techniques for using lens flares for lighting and eye trail blurring. Throughout the tutorial, he provides tips on how to avoid common mistakes and create your desired effects in your photos.
There are several ways to create a black-and-white image. In this video, I’ll teach you my process for taking a RAW file that isn’t amazing and turning it into a dramatic black-and-white image.
This process works in Lightroom as well as in Photoshop’s Adobe Camera RAW.
In this tutorial, I'm going to tell you about one specific action I think every portrait photographer should have in Photoshop. It's an action that I've created. It has over 250 commands in one single action and does all of your skin smoothing for you!
In this tutorial, I teach you all the basic tools and features of Photoshop's Adobe Camera RAW (2021). I cover the changes to the interface, the new Color Grading tool and how you can use it to transform your photos. In the tutorial, we edit 5 photos of various kinds—a landscape, a street photo, a snapshot, a portrait and a drone photo. As a bonus, all of these techniques apply to Lightroom as well.
